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“Like filmmakers,
the choreographers
people the landscape,
working from various
viewing angles, using
perspective, scale and
dynamic relationships
to create visual images
that also work at levels
of metaphorical meaning.
Performers and viewers
alike are part of the
invading hordes,
casting ephemeral
human shadows on
the abiding earth.”
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The Maine Times
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| 2012 |
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• True Love
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collaborative work PWDT with OTUX Compaņia de Danza,
Museo Nacional de Bellas Artes, Santiago de Chile
sound score by Pauchi Sasaki; costumes by Tzveta Kassabova (30 minutes)
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2011
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Drama, sound score by Lauren Burke
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costumes by Tzveta Kassabova, lighting by Ariel Benjamin (30 minutes)
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A Curious Invasion/Conn Coll
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Site-adaptive performance installation with PWDT and a Connecticut College student and faculty cast, with original live music by Pauchi Sasaki and David Dorfman, New London, CT, May 2011 (60 minutes)
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2010
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Kré Kré Kré (Yes! Yes! Yes!)
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repertory, University of Maryland student company (25 minutes)
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they are of threaded glass
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solo by Patrik Widrig for Lauren Withhart
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s MFA thesis concert, UMCP (12 minutes)
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Oashisu (Oasis)
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original score by James Nyoraku Schlefer, costumes by Tzveta Kassabova (25 minutes)
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| 2009 |
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• Kré Kré Kré (Yes! Yes! Yes!) • commissioned work for Daejeon City Dance Company, Daejeon, South Korea, May 17-31, (25 min)
• A Curious Invasion/Bratislava • PWDT at
Medicka Gardens, Bratislava, Slovakia, July 4-19 (75 min)
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| 2008 |
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• Sayonara, Dear • Pearson/Widrig duet, Thalia Theater at Symphony Space, NYC, April 10-12, 2008 (35 minutes) • Original Sound Score by Karinne Keithley • Video Design by Jamie James Wenger in collaboration with Sara Pearson and Patrik Widrig • Costumes by Tzveta Kassabova |
| 2007 |
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• Paradise Pond, Bates Dance Festival, Lewiston, ME
PWDT, company/community site work with original live music by Obie and Bessie awards winning composer Robert Een in celebration of the BDF’s 25th anniversary - involving 25 BDF students, 25 BDF Youth Arts Program students, and 25 community participants (90 minutes)
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| 2006 |
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• Katrina, Katrina: Love Letters to New Orleans,
PWDT, company/community project, (75 minutes) |
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• You Gotta Serve Somebody, Sara Pearson solo (4 minutes) |
| 2005 |
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• Thaw, PWDT, 92on42: The 92nd Street Y Harkness Dance Project at The Duke on 42nd Street, NYC (60 minutes) |
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• Ley Lines, University of Maryland/College Park, student company (9 minutes) |
| 2004 |
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• HelloGoodbyeHello, University of Utah/Salt Lake City, graduating seniors work (15 minutes) |
| 2003 |
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• The Return of Lot’s Wife, SP/PW&CO with original live music by Carter Burwell, Joyce Theater, NYC (75min), commissioned by the Joyce Theater |
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• A Curious Invasion / Dartmouth, SP/PW&CO, with student and community participants, site work, Hanover, NH (60min), commissioned by the Hopkins Center |
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• The Three Eves at the Four Seasons, SP/PW&CO, site work, Four Seasons Restaurant, NYC (12min), commissioned by the swisspeaks FESTIVAL for its opening gala |
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• Tobu, University of Wisconsin/Madison, student company (12 minutes) |
| 2001 |
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• A Curious Invasion / Wave Hill, SP/PW&CO, site work, NYC (90min), co-commissioned by Dancing in the Streets and Wave Hill |
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• Hai, Goucher College Dance Company, Baltimore, Maryland (18min) |
| 2000 |
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• If Wishes Were Horses, Beggars Would Ride, SP/PW&CO with 25 community participants aged 10-85, site-specific work at the Portland Museum of Art, original live music by local musicians, Portland, ME (105min), co-commissioned by the OnSite Performance Network and the Bates Dance Festival |
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• HereAfter, multi-disciplinary company work, SP/PW&CO and guests with original live music by Robert Een, Joyce Theater, NYC (75min),commissioned by the Joyce Theater |
| 1999 |
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• Aussicht ins Jenseits, Pearson / Widrig with community participants, Switzerland (70 minutes), commissioned by Bräker Zyklus, Switzerland |
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• If Wishes Were Horses, Beggars Would Ride, with 15 community participants aged 12-99, Bates Dance Festival, Lewiston/ME (70min), co- commissioned by the OnSite Performance Network and the Bates Dance Festival |
| 1998 |
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• Terra Firma, SP/PW&CO, Danspace Project at St. Mark’s Church, NYC(50min), commissioned by the Danspace Project |
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• Be Careful What You Wish For, Pearson solo, Danspace Project at St. Mark’s Church, NYC (9min), commissioned by the Danspace Project |
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• If Wishes Were Horses, Beggars Would Ride, Pearson / Widrig with 12 community participants aged 11-99, Lincoln / NE (35min), commissioned by the Wagon Train Project with support from the National Performance Network |
| 1997 |
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• Dr. Pearson’s Guide to Loss and Fear, Sara Pearson solo, Joyce Theater (13min), commissioned by the Joyce Theater |
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• Muezzin, Patrik Widrig with original live music by Philip Hamilton, Joyce Theater, NYC (10min), commissioned by the Joyce Theater |
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• Mindful Navigations, Patrik Widrig solo, with music by Robert Een, Central Park SummerStage, NYC (5min), commissioned by Central Park SummerStage |
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• Splash, with Hunter College Dance College, Silvia and Danny Kaye Playhouse, NYC (13min) |
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• A Curious Invasion / Gilsland Farm Audubon Sanctuary, SP/PW with Bates Dance Festival students and community participants, original live music by Robert Een, site work, Falmouth, Maine (70min) |
| 1996 |
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• Love Notes to Central Park, SP/PW&CO, site work in three parts, Central Park, NYC, with original live music by Carman Moore and his Skymusic Ensemble (90min), commissioned by Meet the Composer |
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• Alpsegen, Patrik Widrig solo, Swiss folk music, Movement Research at Judson Church, NYC (20min) |
| 1995 |
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• Ordinary Festivals, SP/PW&CO, P.S. 122, NYC, Italian folk music (60min), commissioned by P.S. 122 |
| 1994 |
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• Common Ground III, SP/PW&CO, site work, Jacob’s Pillow, original live music by Robert Een (20min), commissioned by Jacob’s Pillow |
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• Do You Remember?, SP/PW&CO, Dance Theater Workshop, NYC, Mexican folk music (62min), co-commissioned by the US-Mexico Fund for Culture (Rockefeller Foundation) and DTW |
| 1993 |
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• Common Ground II, SP/PW&CO, site work, Lincoln Center Out-of- Doors, NYC, original live music by Robert Een (20min), co-commissioned by Dancing in the Streets and LCOOD |
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• Common Ground I, SP/PW&CO, site work, Wave Hill, Bronx, NY, original live music by Robert Een (18min), co-commissioned by Dancing in the Streets and LCOOD |
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• The Buddhist Garden, University of Minnesota Repertory Company (7min) |
| 1992 |
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• A History of Silence, SP/PW&CO, P.S. 122, NYC (65min), commissioned by P.S. 122 |
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• You Belong to Me, Sara Pearson, solo (3min) |
| 1991 |
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• Just for Tonight, SP/PW&CO (20min) |
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• Untitled, Works-A-Foot, Montclair State College (15min) |
| 1990 |
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• A Means of Support, SP/PW&CO, Danspace Project at St. Mark’s Church, NYC (40min), commissioned by Danspace Project |
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• A Matter of Course, Pearson/Widrig duet (20min) |
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• Mira Bhajan, Widrig solo, original live music by Raine Eastman- Gannett (15min), Danspace Project at St. Mark’s Church / Swiss Dance Festival III, commissioned by the Swiss Institute |
| 1989 |
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• Ley Lines, SP/PW&CO, site work, Central Park, NYC, original live music by Andy Teirstein (25min), commissioned by Dancing in the Streets |
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• Heimweh (homesick), Pearson / Widrig duet, Swiss Dance Festival II, NYC (25min), commissioned by the Swiss Institute |
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• Excavations, Pearson/Widrig with Oberlin College Dance Company (40min) |
| 1988 |
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• FishFlyMonkeySwim, SP/PW&CO, aerial work, Alice Tully Hall, Serious Fun! Festival, NYC (25min), commissioned by Serious Fun! |
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• Partners Who Touch, Partners Who Don't Touch, Pearson/Widrig duet, Ethnic Folk Arts, NYC (40min) |
| 1987 |
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• Graven Images, SP/PW&CO, site work at Coney Island, NY, original live music by the Brooklyn Conch Orchestra (12min), commissioned by Dancing in the Streets |
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• Journal Entries, SP/PW&CO, ChoreoSpace, NYC (70min |
| 1986 |
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• Minnesota Hula, (4min), commissioned by the St. Pauli Girls |
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• Linear A / Linear B, Pearson Dance Company, ChoreoSpace, NYC (60min) |
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